Free Ebook , by Julie Maroh
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, by Julie Maroh
Free Ebook , by Julie Maroh
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Product details
File Size: 56275 KB
Print Length: 160 pages
Publisher: Arsenal Pulp Press; Media Tie In edition (August 19, 2013)
Publication Date: August 19, 2013
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B00E257ZKW
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Amazon Best Sellers Rank:
#183,104 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
Now that Julie Maron's BLUE IS THE WARMEST COLOR is coming to theatres in a feature film that not only won the very prestigious Palme D'or at this year's Cannes Film Festival, and that it was smacked by the MPAA with the dreaded NC-17 rating for its explicit sexual content, and that there is an ongoing war of words between the film's two leads and its director, it should generate enough publicity for not only people to see the film, but to also hopefully discover this remarkable graphic novel.Simply enough, the novel, written and drawn by Maron, is about a fifteen-year-old girl Clementine who is doing her best to be a "normal" young girl. She dates a senior at her high school, she studies for her exams, and she has the "right" friends. Until one moment of one day, as she's walking down the street, she passes a beautiful older girl with dyed blue hair, and she cannot get this girl out of her mind. The blue-haired beauty invades her dreams with shocking sensual and sexual imagery, and Clementine can't understand what these feelings mean. She just CAN'T be gay. She refuses it, and in that refusal, her passion for this mystery girl grows. As she sneaks out one night to be with her best friend, Valentin, who is a young gay man, they go to a gay bar, and Clementine meets the mystery girl. Her name is Emma. And from then on, Clementine, no matter how hard she tries, she can no longer deny the feelings of love and lust she has for Emma. But once they finally realize who they are to each other, all the other parts of Clem's life start to spiral out of control. Her parents refuse to accept their daughter's deviant lifestyle, as do her straight friends. Soon, all she really has is Emma, and for a even a short time, that's more than she ever thought possible. But time catches up to all, and it catches up to Clem in a tragic way that is certain to leave everyone in tears.Maron gives Clementine such a realistic voice that any adolescent or someone who survived adolescence and the awakening of desire for love and sexuality can immediately relate. You feel your heart lift when hers does, and even more so, you feel your heart break when hers does. The art and particularly her use of color is excellent. The writing is so strong that you really feel that you're with these characters, and even though you may find some of them despicable, you understand them. Maron never makes the mistake of painting stereotypes of any of the characters, so that even when they do or say something terrible, you understand where they're coming from.And this is the only other graphic novel, aside from Art Spiegelman's MAUS, that has ever made me cry.Again, though, we must go to the place that I hate to go to, which is the argument of Art Versus Pornography. This book, which I'm sure is probably banned in more than a few libraries, has a sequence of graphic sex between Clementine and Emma. This will be objectionable to many parents of adolescents who may receive comfort from the emotional realism of the book, but it is NOT pornography. Pornography is meant for the sole purpose of sexual stimulation, and is not intended to show realistic portrayals of sex. And believe me when I state that there is nothing resembling that in the least in this book. Is it erotic? Yes. Is it art? Yes. Is it pornography? Absolutely not.BLUE IS THE WARMEST COLOR is an extraordinary graphic achievement, and it's something that I would recommend to anyone with a love for great storytelling and an open mind.
After watching the movie and after feeling highly dissatisfied, I took the plunge of ordering the book anyway. This fulfilled everything. I felt a strong connection with the characters here and their actions actually made sense for the first time. The movie, with poor editing, left a lot of scenes unexplained and dragged on, leaving characters underdeveloped and viewers distracted. I didn't like the art style at first, but the graphic novel has better pacing and the plot swallows you whole, so you wouldn't care about the drawings by the time you're fully engaged with the scenes.Character wise, I love Lea Seydoux as an actress but I actually preferred the character of Emma within the graphic novel: chill, gentle and thoughtful. Not assertive and cocky. I didn't care about Adele (Clem) in the movie, but the graphic novel made me felt for them.If you enjoyed the movie and wouldn't mind reading a graphic novel, I say give this a try. Highly recommended.
I thought Blue was one of the best books I've read in years. Pretty recently I saw a trailer for the film version at my local arthouse theater and was intrigued. A week or so later I discovered that it was actually a graphic novel at first and that it was available on my Kindle. The art style depicted on the cover also pulled me in and so I decided to drop the money and buy it.It's been a long time since I felt so moved by a story. Half the time I was reading it (especially during the beginning and the end) I was left in tears. It's amazing to see Clementine's constantly conflicting emotions and mentalities about what is right and what is wrong and the passion of her relationship with Emma...but it's equally painful to see the consequences of such a relationship. The movie hits my local theater next week and I've rarely ever been so excited to go see a movie because the book was simply spectacular.Some minor nitpicks about this version, though: while the story is an instant 5-star in my book, the kindle version deserves probably a 3-star rating...maybe 3.5 to be a little generous. I've read other graphic novels on the Kindle before and never really had issues. However the text style plus the way they frame some of the panels makes it difficult to read at times. Likewise, there's times in it where it jumps around in panel order. Like for example, rather than starting from the first panel to the last, there's one page that opens with the last panel and then goes back to the top. This marred the experience just a tiny bit for me. That said, though, the art itself still shows itself beautifully and the story is still as good as ever.
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